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Creative director Ryan Dunn is tackling the next level of his career after more than 20 years leading creative teams at companies like Charlex, Digital Kitchen and Nike’s Brand Design, by launching his own studio Dunnwell. The multidisciplinary collective will be headquartered in Chicago, with an operational hub in New York City, and is poised to serve a global client base.
Dunn honed his craft in design, motion graphics and animation at studios like Blind and Digital Kitchen before moving to Nike as an Art Director in Brand Design. After years leading creative at Vitamin Pictures, Ladies & Gentlemen and Charlex, Dunn recognized the time was right to open his own operation.
“It became clear that building my own studio was the best way to take my work, vision, and ambition to the next level, said Dunn. “The industry is changing rapidly, and I want to be part of this new frontier and all the potential it holds for new ways of telling brand and character stories.”
The studio is launching with a roster of internationally recognized directors and artists. The globally distributed team’s collective expertise spans commercials, TV, feature films, digital experiences and brand storytelling across various mediums, including CG animation, 2D/cel animation, motion graphics, stop-motion, VFX, creative live action and immersive media. Dunnwell’s model will focus on collaborative platform-agnostic content with a focus on storytelling and artistic integrity.
“Every job is unique in its needs,” Dunn added, “and we’re positioned like a team of ninjas who can deploy a full CG pipeline for one client and a live-action-meets-cel-animation production for the next. It takes strong direction and creative vision to move between mediums, but at Dunnwell, we put stories and ideas ahead of technique — so the further into any given collaboration we journey, the more confident we can be in delivering something great, regardless of the tools used.”
Spread across Chicago, New York, Los Angeles, Belfast, Brussels, Berlin and Tokyo, Dunnwell’s talent roster includes, among others, illustrator and character designer Bruno Mangyoku; visual effects artist Danil Krivoruchko (a.k.a. Myshli); film character designer Max Kostenko; creative director and graphic designer Sebastian Onufszak; CG director Paul McMahon (a.k.a. The Rusted Pixel); five-quadrant and animation director Anne Calandre; and sculptor, fabricator and stop-motion animator Taili Wu (a.k.a. Monster Shaper), who has worked with Dunn for over a decade since his Charlex days.
“I was so lucky to have worked with Ryan at Charlex since 2011,” Wu says. “Imagine a life where you are absorbing inspiration, warmth, and positivity all day. I can never get tired of that creativity and passion. It’s been a dream to collaborate with Ryan again.”
“When ‘storytelling’ is the word we pin to the wall as our organizing principle, it’s only natural to want to find as many ways to tell those stories as possible,” Dunn summarizes. “Advertising is a story business; a product launch for a new laptop, basketball shoe, or cereal flavor seeks a memorable visual hook or metaphor that makes you want to buy it. Story is everywhere. Long-form storytelling — episodic television, films, short films, webisodes, title design, social media initiatives, video game promotion — all involve a narrative thread that pulls the audience in closer. We want to pursue storytelling in all its forms: short, long, whatever.”
dunnwell.co
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